010 __ $a9781441104984
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101 0_ $aeng
200 0_ $aThe Psychology of Screenwriting $bCarte tipărită $eTheory and Practice $fJason Lee
210 ## $aNew York $cBloomsbury $d2013
215 __ $a191 p.
299 __ $aThe Psychology of Screenwriting : Theory and Practice
300 __ $aBibliography p. 183-187
330 __ $aThe Psychology of Screenwriting is more than an interesting book on the theory and practice of screenwriting. It is also a philosophical analysis of predetermination and free will in the context of writing and human life in our mediated world of technology. Drawing on humanism, existentialism, Buddhism, postmodernism and transhumanism, and diverse thinkers from Meister Eckhart to Friedrich Nietzsche, Theodor Adorno, Jacques Derrida, Jean Baudrillard and Gilles Deleuze, The Psychology of Screenwriting will be of use to screenwriters, film students, philosophers and all those interested in contemporary theory. This book combines in-depth critical and cultural analysis with an elaboration on practice in an innovative fashion. It explores how people, such as those in the Dogme 95 movement, have tried to overcome traditional screenwriting, looking in detail at the psychology of writing and the practicalities of how to write well for the screen. This is the first book to include high-theory with screenwriting practice whilst incorporating the Enneagram for character development. Numerous filmmakers and writers, including David Lynch, Jim Jarmusch, David.Cronenberg, Pedro Almodovar, Darren Aronofsky, Sally Potter and Charlie Kaufman are explored. The Psychology of Screenwriting is invaluable for those who want to delve deeper into writing for the screen
606 __ $ascriere creatoare (filme)
606 __ $ascenariu de film
606 __ $acinematografie (ca artă)
608 __ $amonografie
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675 __ $a792.026
675 __ $a791.43
686 __ $aLS $a80/811
700 _0 $aLee, Jason
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