The Autopsy of a Dream : About How We Construct Worlds with Our Words
| Autor | Gabor, Georgina Oana chat |
| Editura | Institutul European chat |
| Loc publicare | Iaşi |
| An | 2022 |
| Subiect | comunicare chat |
| lit. rom. - scrisori chat | |
| Gabor, Georgina Oana chat | |
| corespondenţă chat | |
| ISBN | 9786062403423 |
| Alt sistem de control al numerelor | |
| Cotă | II 96373 |
| Titlu | |
| Titlu | The Autopsy of a Dream : About How We Construct Worlds with Our Words |
| [nedefinit] | 1 |
| Titlu / Menţiuni de responsabilitate | |
| Titlu | The Autopsy of a Dream |
| Alte informaţii la titlu | About How We Construct Worlds with Our Words |
| Prima menţ. de resp. | Georgina Oana Gabor |
| Desemnarea gen. a materialului | Carte tipărită |
| Nume de persoană / resp. intelectuală primară | |
| Autor principal | Gabor, Georgina Oana |
| ISBN | |
| Număr ISBN | 9786062403423 |
| Număr (indice) CZU | |
| Număr (indice) CZU | 316.77(0:82-6) |
| 929Gabor, Georgina Oana | |
| 082.1Texte de frontieră | |
| Serii | |
| Titlul seriei | Texte de frontieră |
| Desemnarea volumului | 102 |
| Alte clasificări | |
| Alte clasificări - Numărul clasei | 3/32 |
| Caracteristicile rubricii | |
| Element de intrare | monografie |
| Vedetă de subiect ca subiect | |
| Subiect | comunicare |
| lit. rom. - scrisori | |
| Gabor, Georgina Oana | |
| corespondenţă | |
| Limba resursei | |
| Limba textului | eng |
| Publicare, distribuţie | |
| Loc publicare | Iaşi |
| Editura | Institutul European |
| Data publicării | 2022 |
| Locul tipăririi | Iași |
| Numele tipografiei | Imprimeria Institutului European |
| Descriere fizică | |
| Desemnarea specifica a mat. | 344 p. |
| Notă de rezumat/abstract | |
| Abstract/Sumar | The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity? |
II 96373
Gabor, Georgina Oana
The Autopsy of a Dream : About How We Construct Worlds with Our Words / Georgina Oana Gabor.- Iaşi : Institutul European , 2022 (Iași : Imprimeria Institutului European) .
344 p..- (Texte de frontieră ; 102).
The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?.
ISBN 9786062403423
1. comunicare
2. lit. rom. - scrisori
3. Gabor, Georgina Oana
4. corespondenţă
316.77(0:82-6)
929Gabor, Georgina Oana
082.1Texte de frontieră
035
__
$aII 96373
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330 __ $aThe drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
299 __ $aThe Autopsy of a Dream : About How We Construct Worlds with Our Words
955 __ $a1
200 __ $aThe Autopsy of a Dream $eAbout How We Construct Worlds with Our Words $fGeorgina Oana Gabor $bCarte tipărită
700 __ $aGabor, Georgina Oana
010 __ $a9786062403423
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675 __ $a929Gabor, Georgina Oana
675 __ $a082.1Texte de frontieră
225 __ $aTexte de frontieră $v102
686 __ $a3/32
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606 __ $acomunicare
606 __ $alit. rom. - scrisori
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606 __ $acorespondenţă
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210 __ $aIaşi $cInstitutul European $d2022 $eIași $gImprimeria Institutului European
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330 __ $aThe drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
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